This gallery contains 2 photos.
This piece is a multi-media painting on a canvas stretcher. I used a variety of paint mediums including; acrylic, oil, and watercolours. To achieve different effects, I added different substances to the primary mediums (glitter, PVA, talcum powder), and alternated between brushes and palette knives. There are also small elements of collage from newspapers and magazines. I began with a watercolour wash in teal and orange over the primed surface. From here I painted what seems like a ‘traditional’ tree landscape and then followed to add the layers of collaged leaves, textured bark, pattern and typography elements.
The main idea behind the work is that it should represent a dreamlike image or alternate reality, where the person is confronted and surrounded by their thoughts. The conceptual element of the painting came directly from the writing pieces we received, and this initial response to the text was my main inspiration for the artwork. Using magazine cuttings of eyes as leaves are symbolic of the forest being alive and ‘chasing’ the person. The patterned circles were a response to the ‘illusion’ described in the text and to make the scene more dreamlike and to represent the thought pattern of the person’s mind. I want these layered elements, to prompt the viewer to look closer into the painting to see different visual features they may not have noticed at first glance, and to also think about the multiple concepts behind each material and/or image. As I read the creative writing piece I thought it did not have a single image to paint, so tried to achieve this effect with multiple layers in the painting. I chose to follow themes of the text quite strictly as I was interested in how someone else’s idea could materialise if they weren’t the person making the art.
For this piece I looked at the artists Chris Ofili, Laura Owen, and Kurt Jackson. I took the most inspiration from Chris Ofili’s No woman, No cry 1998, as well as looking through a series of his patterned pieces. This pushed me out of my comfort zone by making me think about my reasoning for the materials I use and images I was painting. Before this piece I did use a lot of mixed media in my work, however was doing this as exploration of texture, and experimenting with the effects they created, rather than being concerned with how I could use this to add further conceptual meaning. I will definitely continue to explore the connection between materials/process and the final piece as it adds further depth into work. Alongside researching artists, I found researching the art movements; Surrealism, Dada, and Land art particularly beneficial.
I also found the text ‘What is painting’ by James Elkins particularly useful, allowing me to think differently when choosing materials to paint with. The result of this was that I used non-traditional mediums to achieve different effects with paints. “Painting is alchemy” – an artist learns and creates work though experimentation.
This gallery contains 7 photos.
This gallery contains 6 photos.
(Do not use the colour black.)
Lately it has been hard to reach me. I wonder why…
Once again it has allured me into its dark pulsing heart. I am too familiar with this place. Im running through this forest. My forest of thoughts. I can feel it. It’s alive.
It is raining heavily, I can hear the roar of thunder.It is booming everywhere, just like my thoughts. This forest is transforming into a wooden labyrinth from which I cannot escape. I suddenly realise… they are following me. My thoughts are always following me. Why am I so
S c a r e d ? i hate this feeling. This feeling of suffocation. Do you ever feel suffocated by your own thoughts? My legs start to hurt from the constant running. But I need to continue. I know that they are chasing me but I can’t see them, it is pitch black. I am unable to see anything except the trees I hate living in this illusion.
Change of plans, I need to go away as fast as possible. I hope they will leave me alone. I don’t want anyone to help me, I’ll be fine. Even if I say that I wanted you to help me. But as expected you didn’t. Why? I start crying,
panicking, for some reason I think this might be the end of me. How could my childhood paradise become my worst nightmare? I used to play here with her, but she is no longer anywhere to be found- How time flies… We used to do everything together. Those were the best years of my life. We were best friends. But how could I forget? She was the one who left. In the end everyone leaves. Suddenly I realise I’m
and then I realise the end is finally here.
The illusion of a sea of violet is created by a vast bed of bluebells. It’s spring time! You are among a charming woodland filled with twisting pathways, rich with towering trees (although not intimidating), and clusters of foliage, which only allow thin beams of sun light to pierce through the canopies, creating glistening reflections on nearby steams.
Your colour palette should mainly exaggerate the purple and green tones that result in an overall soft finish.
The atmosphere is quiet but not haunting- the painting should be a piece that captures the Forest of Deans rich heritage. It’s historically a traditional mining town, relatively isolated, with a strong sense of community. It should evoke feelings of nostalgia as the sight of the bluebells among ‘foresters’ is very well known. A peaceful and homely image, representing either a traditional or contemporary painting, but with your own interpretation- this could be the style of the painting, added textile, a texture, or anything else you want to incorporate!